{"product_id":"melanie-martinez-hades-cd","title":"Melanie Martinez – Hades CD","description":"\u003cp\u003e\u003cstrong class=\"Yjhzub\"\u003eHADES\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e is sonically structured as a \u003cstrong class=\"Yjhzub\"\u003edark alt-pop and electronic-pop album\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e. Co-produced alongside her longtime collaborator \u003cstrong class=\"Yjhzub\"\u003eCJ Baran\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e, the album pivots drastically from the childhood-inspired toy instrumentation of her \u003cem class=\"eujQNb\"\u003eCry Baby\u003c!--TgQPHd||[]--\u003e\u003c\/em\u003e era into a heavy, experimental, and sinister musical landscape.\u003cspan\u003e  The backbone of the album relies on sleek, reverb-heavy synths, broken-glass percussion, and intense electronic beats, t\u003cspan class=\"T286Pc\"\u003eracks feature sudden orchestral strings, claustrophobic glitching, and eerie horror-movie-esque scores. : Songs like \"Possession\" and \"The Last Two People on Earth\" build a cavernous, late-1980s and early-1990s alt-rock majesty driven by shimmering, distorted guitars.  Martinez utilizes her signature sweet, \"cracked porcelain\" vocals, but rapidly shifts them into deranged, distorted, or pitched-down layers to match the aggressive themes, while the lyrical content is intensely political and heavy, the underlying melodic pop framework keeps the 70-minute, 18-track project remarkably catchy and approachable.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GROOVARK","offers":[{"title":"Default Title","offer_id":57308085191029,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0942\/2661\/2597\/files\/0075678589966-001.jpg?v=1782054571","url":"https:\/\/groovark.com\/el\/products\/melanie-martinez-hades-cd","provider":"GROOVARK","version":"1.0","type":"link"}